in wirewire the boundaries between natural and synthetic, body and machine are disturbed through hysteria and distortion by insisting on that which is too much of a body, too much of a voice. electricity and movement are experienced as a sonic circuit, a thin flexible thread that is drawn out into form. a performance based on sound and contact improvisation.

the performance is a transhumanist experience. the body is an electrical transmitter that is connected to machinery. emotions and senses are used as a resource that generates sound. wires are both amplifying and distorting the movements in a disoriented soundscape. bodies that move in space move in relation to each other.

the bodies abstract themselves into something

                                                   other-than-human

they are

                       humanoids

                       mimicking cats    whales

                                                       angry dogs

                                     a thin flexible thread that is drawn out            into form

as a hybrid between movement performance and noise concert. the smallest touch generates an immense effect when movement is an instrument itself. the electrical pulses from the synthesizers with bodies as carriers of technology. in the performance the body has its own voice; of noise, of hysteria, of taking up space and letting go.