At this WORKSHARING you will meet the raw performing arts in process and have a taste of an artistic research guided by Jason Jacobs, who, together with the artists Faheel Saud, Mmabatho thobejane, Mette Møller Overgaard and Yeong Ran Suh explore the connections between heritage, memory, and dreams.

THE ARTISTIC RESEARCH
How can intentional engagement with dreams potentially facilitate reconnections with ancestral memories lost to us? How can we foster dream translation as an indigenous practice for healing from the shame of loss? Loss of ancestral memory, loss of sacred indigenous healing practices, loss of systems of knowledge taken and forgotten in the wake of colonial expansion.

This artistic research is facilitated by and derived from Jason Jacobs' practice exploring connections between ancestral dreams/dreaming. He offers approaches and indigenous storymaking practices for translating dreams as creative and restorative calls to action that envision new futures through performance.

Jason Jacobs's artistic interest is informed by his practice as an amagqirha-in-training and a Nama-Khoi-indigenous descendant living and practising in Kharkams. He understands dreams as lived/living spaces for healing and the embodiment of ancestral knowledge, which informs his reading of dreams (and translating them) as an indigenous healing practice and methodology.

Working with dreams as spaces for healing, roots questions in the shame of loss as defining markers of his indigenous identity formation. Jacobs intentionally engage with this inherited and lived shame, acknowledging it as an ongoing path to healing (an act in progress and a call to action).

Jacobs rely on the transformative potential of indigenous storytelling in his one-person play titled Kraal, to confront this shame of loss by writing and performing his own story-healing about a tragic hero character who is imagining new futures for his community.

THE ARTISTS
This residency provides the framework for a shared laboratory where five artists meet for the first time to create, explore, and share processes. Together, they will explore the connections between heritage, memory, and dreams.

The artistic research is guided by Jason Jacob and the primary approaches derive from his existing practice, but are challenged, expanded, and re-examined in collaboration with artists Faheel Saud, Mmabatho thobejane, Mette Møller Overgaard and Yeong Ran Suh.

Read more about the artists at www.hautscene.dk

TICKETS
Participation is free, but please reserve your ticket as seating is limited.

THE RESIDENCY
This WORKSHARING is the culmination of a 1-week IN PROCESS residency at HAUT.

In collaboration with Marie-Lydie Nokouda from BLACK TO NORMAL we have invited Jason Jacobs for a 1 week IN PROCESS residency. Through initial conversations about needs and wishes, the idea to give the residency more character of a residency-workshop guided by Jason Jacob's arose.

Hereafter the 4 other artists were then invited to participate in the residency through the open call RESIDENCY-WORKSHOP – ANCESTRAL DREAMS AND REMEMBERING, curated by Jason Jacobs in collaboration with HAUT's former artistic leader Betina Rex.