Greenleaf vender tilbage til København for første gang siden 2016! Det bliver svensk stoner rock og sludgy energi når de kigger forbi d. 26 august sammen med Earth Tongue fra New Zealand som spiller fuzz fyldt stoner pop. 

Greenleaf:
Like clockwork, Swedish stoner rockers GREENLEAF spread their concentrated sludgy energy to disciples of the genre by releasing Echoes From A Mass in 2021, the successor to their 2018 epic, Hear The Rivers. The album opener, “Tides”, immediately draws the listener into a swirl of guitar driven soundscapes, while Arvid Hällagård’s remarkable voice merges with hypnotizing background vocals, ceremonially inviting the listener into a heavy reverie. Floating hypnotic grooves set the stage for the compelling yet chilling “Needle In My Eye” — with its incisive, driving drums and roaring riffs, the record’s third song accumulates piece by piece into a modern rock standout, taking the mind by storm. “Love Undone” breaks in with Tommi Holappa’s acclaimed, blistering guitar riffs that will keep the listener moving to the mesmerizing, distinctive sonic layers of GREENLEAF. The bluesy mid-tempo track “Bury Me My Son” digs deep with its poignant lyrics and an extensive, grooving bass solo, reminiscent of their roots in the Dozer days. With “March On Higher Grounds”, the Swedes deliver a dusting of desert-vibes, merging into a truly catchy refrain, while closer “What Have We Become” offers a hallucinatory realm of calmness, setting a bold exclamation mark at the album’s epic end. Once again, GREENLEAF prove that they dare to think outside the box and deliver a heavy roller comprised of Sebastian Olsson’s rumbling drumming performance, fuzzy guitars, Fröhlich’s haunting bass lines, Arvid Hällagård’s powerful yet ghoulish vocals and undeniable, heavy stoner, southern desert and blues vibes. Echoes From A Mass was recorded at Studio Gröndahl in October 2020 by former band member Karl Daniel Lidén, who also mixed and mastered the record at Tri-Lamb Studios. Lidén is recognized for his work with well-known acts such as Katatonia, Bloodbath, Lowrider and Crippled Black Phoenix, to name a few.

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+ Special Guests: Earth Tongue
Sometimes music is supposed to feel weird and indescribable. It’s the moments of clarity within the dense, sonic mess that often feels the most satisfying.

That’s the space that Earth Tongue occupy. At times, their songs are shrill and disorientating, other times their reverb-washed textures and instantly-familiar hooks can wrap you in a warm, loving embrace.

The one consistent thread through their music, however, is the thick and all-encompassing fuzz. Guitarist Gussie Larkin (Mermaidens) has become a master of the fuzz-smothered riff, and along with Ezra Simons’ off-kilter drumming, they’ve been sending punters into transcendental states since they began gigging in their home town of Wellington in 2016.

Following the release of their debut album Floating Being in 2019 via Bristol-based label Stolen Body Records, Earth Tongue toured Australia, the UK and Europe, picking up praise along the way from BBC Radio6, Bandcamp and headbangers all over the world.

The now Auckland-based duo have plenty more off-kilter time signatures and robotic harmonies up their bell-flared sleeves. Watch this space for the next Earth Tongue venture as they step away from sci-fi twists and hurtle fuzz-first into the occult.

https://earthtongue.bandcamp.c...
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+ Support: Natskygge
Natskygge is like taking a trip two decades back in time, and another decade forward. All at once. Is that even possible? Natskygge plays hippie-space-doom-rock with a special vintage and analogue live sound to it. If you are searching for a new and refreshing rock sound with vintage atmospheric vibes, you should check out Natskygge – immediately.

https://natskygge.bandcamp.com/album/natskygge
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Entry: 150 kr in pre-sale / 165 kr at the door!